Like the frescoes, the graffiti mostly presents a “normative” sexuality that positions the male client as penetrator. Her attention to multiple perspectives is a strength of the book. Focusing on clients, then female prostitutes, and finally male prostitutes, Levin-Richardson considers each group’s relation to the space, graffiti, objects, and each other. The next three chapters (Six to Eight) put the evidence discussed previously to work and tease out themes already touched on. Levin-Richardson’s examination of legal texts supports such use of property among the elite as a revenue stream. In lieu of an abstract, here is a brief excerpt of the content:ġ86 PHOENIX or others.
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